East Liverpool, Ohio, — Rockingham glazed earthenware. All objects from the Arthur F. Goldberg collection; photos, Gavin Ashworth. Hound-handle pitcher, East Liverpool, Ohio, ca. The upper portion and hound are covered with an off-white glaze. Powdered flint was added to the Rockingham glaze to produce the streaks of green and blue. Bennett, Baltimore, Maryland, — Two of the three stilt marks are visible.

Dating yellow ware mixing bowls, Danish modern chair

Before the days of plastic and Pyrex, most American homemakers used a set of yellow ware bowls in their kitchens. The first pieces of yellow ware, made in Scotland and England during the late s, were made from a clay that was a yellow buff color. Yellow clay contains a much lower level of iron causing it to vitrify at temperatures much higher than red clay, making yellow clay pieces much harder and more desirable for use in the kitchen.

The popularity of yellow ware, always known as yellowware, spread from England to France, Canada and the United States. By the s, the beautifully colored pieces were being made in the United States using fine yellow colored clay found along the banks of rivers of New York, New Jersey, Pennsylvania and Ohio. Depending on the origin of the clay, finished pieces ranged in color from a deep mustard yellow to a beautiful light yellow resembling the color of fresh butter.

Yellow ware is highly-fired earthenware with a buff to yellow paste and a North American production can be dated as early as , -ftn3 but.

Sentences Mobile Potters in England developed yellowware late in the 18th century. Signatures are rare on early American pieces, so dating yellowware can be difficult. Yellowware replaced more porous redware, and was lighter and easier to handle than stoneware. Most English yellowware bowls have white interiors. Dating a piece of yellowware becomes easier if you brush up on a few key characteristics. Unlike mass-produced yellowware made from molds, handmade pieces came in varied sizes and decorations.

As whiteware came into fashion, yellowware began to fade and disappear from cupboards and store shelves. But it has made a comeback among collectors who value yellowware ‘s durability and mellow color. By the early 19th century, potters skilled in yellowware manufacture began to emigrate to the United States.

Yellow Ware Bowls

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identifying ceramics, analyzing faunal remains, and utilizing dating techniques. Despite the fact that up-to-date treatments of Jeddito Yellow Ware typology.

Historical Archaeology Type Collection. Background glaze may be white on whiteware, very light blue on pearlware, or pale creamy yellow on creamware. Decorated with horizontal bands of colored slip applied in varying widths. Colors are predominantly muted earth tones including, black, olive green, tan, rust, brown, ochre yellow, grey, and pale blue. The widest color bands contain dendritic or fern-like designs, usually in dark brown.

Other colors, such as blue, green and pink were used infrequently. White to light cream colored, thin, hard, compact paste. Mocha ware is part of the Factory-made Slipware group of refined earthenware ceramics decorated with applied slip decoration. These were produced in great quantity during the last quarter of the eighteenth century through the nineteenth century in England and the United States.

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RARE EARLY s WEDGWOOD BASKET WEAVE PITCHER CANE YELLOW WARE CANEWARE MINT | eBay. Dating to the early s, this small pitcher is.

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Mar 30, – Collector’s Guide to Yellow Ware: Book I, An Identification & Value Guide: Lisa S. McAllister, John L. Michel:

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From the s until the s, when Pyrex and plastics took over, yellowware was ubiquitous in American kitchens. Yellowware is a ceramic fired from the fine yellow clay that lines riverbanks from New York to Ohio. Its color ranges from butter yellow to deep mustard, and it was popular due to its low cost and durability — it could even withstand the heat of a woodstove. In the last fifteen years, yellowware has caught on with collectors, and values have soared.

The post-medieval pottery fabric types have been difficult to classify. The date range for Midland Yellow Ware is usually given as mid 16th to end of the 17th.

Over the past hundred years or so, almost every object in the domestic kitchen has been adapted to changing needs and fashions of society. But there is one object that is almost unchanged since it was first made over a century ago. Not just any mixing bowl — but THE mixing bowl, the one that almost every house in the country has. The one that appears on every cookery programme and in every photograph of a modern kitchen.

Yes, that generic mixing bowl in a familiar cream colour with a bit of a pattern around the outside that almost everyone owns is not just some random object churned out in their millions in some dusty part of China, but is a year old design classic, and is still made by the same English pottery company.

Although the company itself still has factories in England, sadly production of the mixing bowls themselves moved to an unnamed Western European country recently and over the years different people have owned the company — but wonderfully, it is still the same firm, and the same unchanged mixing bowl design. For a company that has been around for years , and has managed to infiltrate practically every kitchen in the land, it has proven surprisingly difficult to find out much about.

Not much changed for another hundred years until the company was sold in , and again in to its current owners, The Rayware Group. The company has struggled at times, and the only newspaper report I could find was in The Times in October , when the company was facing a sharp decline in sales and called in a marketing expert to help.

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RARE s 8” WHITE & MOCHA BAND BOWL YELLOW WARE MINT White Mocha, Here we have a very attractive mug dating to the s.

Yellow ware is a type of heavy pottery earthenware that is made from yellow colored clay. Most often in the form of bowls, pie plates and molds, yellow ware is typically finished with a transparent or yellow-colored glaze. Yellow ware continued to be produced in both the US and UK into the first third of the twentieth century. This decorative technique has recurring patterns that resemble objects such as seaweed, earthworms, and cat’s eyes.

Thistle patterns, which combined a slipped flower with a mocha stem, were the earliest produced, starting between and Most mocha motifs, however, post-date

Three Yellow Ware Bowls

Rockingham ware , English earthenware , stoneware , and porcelain made at Swinton, Yorkshire, in a factory on the estate of the Marquess of Rockingham. The pottery was started in , but it was not until that it assumed the name Rockingham. It continued to operate until Rockingham porcelain, light in weight, was eclectic in style, much of it in an extravagant revived Rococo style of questionable taste but always well made and finished.

From c. Rockingham ware.

We present new data on a class of ceramics called Tiltepec yellow wares, dated to the Late and Terminal Formative period occupations at Cerro Jazmín, Oaxaca​.

As peculiar as some of the pieces themselves, the language of ceramics is vast and draws from a global dictionary. Peruse our A-Z to find out about some of the terms you might discover in our incredible galleries. Ceramic objects are often identified by their marks. Marks like the Chelsea anchor or the crossed-swords of Meissen are well known and were often pirated , while the significance of others is uncertain.

One such mysterious mark is the capital A found on a rare group of 18th-century British porcelains. Once considered Italian, the group has been tentatively associated with small factories or experimental works at Birmingham, Kentish Town in London, and Gorgie near Edinburgh. The most recent theory is that they were made with clay imported from Virginia by two of the partners in the Bow porcelain factory.

If so, the ‘A’ might refer to George Arnold, a sleeping partner in the firm. This is because the first ‘baking’ implied in its original usage would have been to fuse raw materials, not for firing the shaped ware. Unless made from materials that vitrify at high kiln temperatures, biscuit ceramics are porous. To make them impervious to liquids, they require a glaze and a second ‘glost’ firing. But sometimes porcelain figures and ornamental wares are left in the unglazed biscuit state for aesthetic reasons.

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